'We're going to a party,' Bess tells me, words which would once have struck terror into my soul. The fear came from the part of the conversation which usually followed, first my objection on the grounds of not enjoying parties, then the customary admonitions of how I need to make an effort to be more social, how I need to make more of an effort to step outside of my comfort zone every once in a while, how I need to make more of an effort to be the person she should have gone out with instead of me. Happily, I married someone who has never played these sort of games, who doesn't engage in that kind of low-level bullying, and who would never make such a suggestion without there being a good reason.
Saturday comes and we pile into the car, then a short drive across town to Laura's place. Laura is in Bess's rock group, specifically an assemblage of women who paint rocks, in case anyone had begun thinking in terms of Judas Priest or the Ozark Mountain Daredevils. They paint rocks and leave them in places to be found by strangers, persons whose day might conceivably be left a little brighter by their having found a painted rock. It's actually a rock painting party.
I find a space in the fridge for my Newcastle brown ale, six bottles. Then it turns out that I'm the only one boozing, so there's no bottle opener. Well-meaning rock artists suggest ways in which I might open a bottle with the kind of inventive enthusiasm you might expect when trying to start a fire on a desert island, then someone realises that a previously mysterious dingus they've been carrying around in their purse is actually a bottle-opener and the day is saved.
We retire to the rock painting room.
I hadn't actually planned to paint rocks but it's not like I have anything else going on, so I take a seat at one of the two tables, sat between my wife and Jennifer's mother-in-law, a lovely woman who moved here from Mexico City and unfortunately doesn't speak much English. Sat opposite are Jennifer and Sandy, Jennifer's mother. The others I haven't met before, but they're all women and there's also a second Jennifer. In total there are about twelve of us, and I'm the only man here, as Joel Grey once sang.
Sandy hands out a few rocks, and we all get to painting. I start on a cartoon octopus, specifically a cartoon octopus with a mustache, bowler hat and smoking a pipe. It will pass the time.
On the wall behind Sandy are three dogs painted on canvas - one seemingly a poodle, another of indeterminate breed, and something like a terrier but without eyes. I guess it was never finished.
I'm using Sandy's pens, a specific type dispensing acrylic paint in liquid form, but they're not really working for me. The table is strewn with communal art supplies so I switch to a brush.
'What's with the dog?' I ask.
Laura explains that she couldn't get the eyes right and left it as it was.
'You could paint a pair of sunglasses on it maybe?'
'Oh! That's an idea.' She considers the proposal. 'How about you paint sunglasses? I think you might be better than me.'
I look at the painting and realise I like it as it is. 'I don't think I could, now that I come to think of it. It would seem wrong.'
'I don't mind.'
'No - I like it as it is. It has some sort of quality er… I just can't stop looking at the thing.'
There is something compelling about the eyeless dog, as though it has special powers and can see into the future.
I finish my octopus and start on Frankenstein's monster, inspired by my recently having been commissioned to produce a sequence of paintings depicting different stages in the career of Boris Karloff. We're mostly yacking away as we paint, because, as I say, I sort of know Sandy and Jennifer, and Jennifer once lived in London so we have that in common.
At no point in my life prior to 2009 did I foresee myself as the only male sat in a room of American women, and I find the realisation pleasing. At the same time I'm usually a little irritated by men who state a preference for the company of women, because it always feels as though they're engaged in some deeply wearying exercise in one-upmanship; but on the other hand it's nice to know that no-one will attempt to engage me in conversation about real ale, motoring, golf, football, sporting activities, science-fiction television shows, or any of the other tedious shit with which so many men fill their bewildering lives.
On the other hand, the women at the next table are all of a certain age with very short hair, and I suddenly have the sensation of finding myself in an episode of Orange is the New Black, the drama set in a women's prison; then I recall that a chapter title in J-Zone's autobiographical Root for the Villain asks Are Men the New Women?
It's time for more beer.
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